"I'm tired...sooooo tired...." insert depressing music here

Hello, Everyone,

So, what can I say, I'm still not posting here very much. Mea Culpa. I'm so sorry. And feel free to whack me with a big stick when you get a chance.

And I wish I had a good excuse…like, maybe that I'd been kidnapped by aliens or hit by a blimp. But, alas, 'tis not the case. I've just been plain busy. I've got this book project I'm working on…a kind of a history-travel book about several cities…I just finished a 76 page chapter on Boston.

And I've got papers to grade. And classes to teach. And freelance gigs to find. And I'm still looking for a full time job. And…oh, yes, there are those voodoo dolls I'm doing for use on a certain millionaire investment bankers ..and maybe a certain dissertation committee…or ex-committee, as the case may be. And those are just taking far more time and effort than I'd expected.

So, I haven't been posting here.

But, not to worry, because, you see, if I were posting here on a regular basis, and telling you all about my life, all I'd be saying would be, "Cripes, I'm overworked, underpaid, unappreciated, disrespected, overtaxed, under-medicated, hyper-tense, humiliated, and, by the way, I'm so tired that when I travel the airlines charge me extra for the bags under my eyes."

So…when you feel the need to hear from me, well, just go look in the mirror.

If you are in any way like 99.9% of us today, you'll get exactly the same message…and you won't even have to boot up your computer.

Talk about efficiency.

Onward and upward.


Copyright © 2010 Michael Jay Tucker

Wonders of Wall Street

Hi, everyone,

Well, I'm still not posting here as often as I'd hoped. And I still haven't completed my last entry on the New Mexico series from the summer.

But, like I said before, things are complicated. I'm working on four different book projects, teaching three classes, doing some freelance, and, occasionally, just as an exercise in futility, looking for additional jobs.

Which brings me to my topic for the evening. I've been fascinated by the way that the financial establishment has responded to the economic meltdown…which, by the way, was almost entirely its fault. The bankers and gurus and Wall Street wonders all plunged us into hell, and we've had to pull them …and us… out of the abyss with tons of money and lots of effort.

And, by the way, to keep the system running, all us normal people had to take major hits…which is why so many of us are out of work, and many more of us are under-employed, and we none of us are really happy about it.

The kinky thing? Go talk to some of the people who aren't working, and you'll probably find they blame themselves. God damnit, we say, if only we'd been smarter or worked harder or whatever, then we'd still have a pay check.

Which, of course, is absurb…because we didn't have anything to do with the crisis.

But, the people who did get us into this mess? The bankers and gurus and Wall Street wonders? The people who put us on the unemployment lines and destroyed a lot of lives and careers? The people who were at fault?

How do they feel about it?

Why they're just happy as a clam, thanks, and they're taking big money bonuses at tax payer expense and "economizing" by going to St. Tropez for only six weeks this year.

So…

To help me deal with my feelings regarding these people, I have made a little clay figure to represent them. See it?

Now, here's my response to their behavior.

SQUISH!

There we go. I feel much better.

Don't you?

Onward and upward.


Copyright © 2010 Michael Jay Tucker

It's my birthday and I'll kvetch if I wanna

Hi, Everyone,

Sorry I've been so lax about doing my Xcargo blog postings. But, well, things have just been fantastically complicated over the last few weeks. I've had classes to teach, lectures to prepare, taxes to get ready... I threw my back act. And I had a bout of something called "benign positional vertigo," which is perfectly harmless, but you feel sorta like Dorothy in the tornado except Toto bailed out for a Dramamine someplace back around Nebraska.

But, today, I simply have to start posting again. And I've got reason. It's my birthday. And I'm now fifty-three years old.

Which means I'm not 22 years old any more. And I have to wear reading glasses. And I'm taking Lipitor, and folic acid, and high blood pressure meds, and baby aspirin …once a day.

So, let's celebrate. Ready?

Whoop-de-freaking-doo.

Onward and upward.







Copyright © 2010 Michael Jay Tucker

Scott Brown

Hello, Everyone,

Well, first of all, sorry I've been out of touch. Things got a bit hairy for a while and I wasn't able to get to my Xcargo-ing.

But, now, I’m back from New Mexico and I'm ready for my first ever posting for 2010.

Specifically, what I want to talk about today is the recent election by which my home state, Massachusetts, selected Scot Brown, lawyer and former nude model, to fill the Senate seat formerly held by the late Ted Kennedy.

I know that some of you have asked for my reaction to this development. And, therefore, today, I'm going to try to give you that.

So, my reaction is…

ARGH !!!!!

I think that sums it up well, don't you?

Onward and upward.


Copyright © 2010 Michael Jay Tucker

Off To New Mexico

Season's Greetings, plus one sad, sick bastard

B52 Strikes and Armed Pro-Lifers

Linx

"Judge To Hear Key Motions In Kan. Murder Trial," by Kathy Lohr, http://www.npr.org/templates/story/story.php?storyId=121746158&ft=1&f=1003

"Judge says no to 'necessity defense' for George Tiller's alleged killer," by Justin Kendall, http://blogs.pitch.com/plog/2009/12/judge_says_no_to_necessity_defense_for_george_tillers_alleged_killer.php

hair cuts from the west

the linx

Texas parents, school tangle over boy's long locks — http://www.google.com/hostednews/ap/article/ALeqM5jHTRVxrCriQ0q9mjS5cP9NkcjONgD9CL6PO02

Texas parents battle school over son's long locks — http://www.usatoday.com/news/education/2009-12-17-texas-school-hair_N.htm

Texas parents battle school over son's long locks — http://news.yahoo.com/video/us-15749625/texas-parents-battle-school-over-son-s-long-locks-17178226

New Mexico #9: Sadness

New Mexico #9: Sadness


So, once again, I turn to New Mexico.

This one isn't going to be so funny, either.

It will start out light-hearted…or, at least, merely melancholy. But, then, gradually, it will slide away into the dark.

This is just to warn you.

*


You will recall that I'm writing a series about my trip to New Mexico last summer. Last time we had just gone to lunch at a restaurant at Santa Fe. My father had, with his sly humor, vast intelligence, and endless reserve of low-level sadism had just terrified a snotty, self-important woman of the sort described in song and fable as a Rich Bitch. A pleasant time was had by all. Except for the Bitch. But, then, she asked for what she got. And deserved worse.

Anyway, we ate. The sandwiches were good. We finished and then Martha and I spent some time on our own looking for a graduation present for my son—he was, you'll recall, just about to get his degree from the School of the Museum of Fine Arts.

So, Martha and I shopped. We didn't find anything we thought he'd really like. In the end, we got him a genuinely beautiful copper wall hanging form artist who lives in Albuquerque. I think he liked it. But who can tell? You give the gift and hope. It is a wise child that knows its mother. There is no parent quite wise enough to understand the child.

Anyway, so browsed a few more shops and, next we knew, it was time to catch the train. We met up with my parents and took the little van to the station.

Again, everything was magical. The station was wondrously clean. The conductors were young and cheerful. The cars were comfortable and new. We boarded and, shortly after, we were on our way.

At first, the magic continued as we went on our way. The sun was only then beginning its slow slant toward the horizon, and we'd have full daylight all the way to Albuquerque. Yet, still, everything…the mountains, the towns, the Pueblos, the adobe buildings we passed…began to take on that rose-honey color you see, sometimes, in the late afternoons of summer.

There was a crowd in the car, but, at first, people were quiet…as though no one dared to break the peace of the moment, or look away from the windows, for fear of missing something. The mountains and hills went past us, faintly glowing in the light, then we were in the Pueblos again, their streets peaceful and empty, the beautiful dome-shaped ovens beside the homes…

And then…

HE started talking.


*

You may remember way back, several New Mexico episodes ago, I mentioned that on our return from Santa Fe, we encountered a young lawyer on the train who began to lecture a pair of perfect strangers on the train about the bread ovens…and then wouldn't shut up.

Well, it was right then that the chap put in his appearance. We were not far out of Santa Fe when all of a sudden, we heard him address the party in the seat next to him. "Those are ovens," he said, cheerfully. "They bake bread in them."

His voice had a collegiate sound to it…the kind of voice you hear in a sports bar, or a bus and he's on the cell phone… loud, maddeningly chipper, and as inescapable as gamma rays at Chernobyl. He was the kind of guy to whom you'd love to respond in an appropriate way, but he's too big to hit and you don't have a chainsaw.

Somehow, he'd decided that the two women and one man next to him were tourists who desperately needed his wisdom. "It's great. You ought to try it while you're here. They call it fry bread and…"

The people tried to get a word in edgewise, "Well, that is, we—"

"But it's very rich. They cook it with butter or lard so you can't eat too much of it. And…"

"Well, we know, because—"

"And sometimes you can't get it in Albuquerque. But I think they sell it in Old Town. You really have to visit Old Town. It's…

"Because we—"

"It's a great spot if you're just starting out in New Mexico. Or if you…"

"WE KNOW! WE LIVE HERE!"

"Really?" And then, without missing a beat or displaying a trace of embarrassment, he changed the subject and was off on yet another lecture, this one on how convenient it was for him to commute from his home to Santa Fe…thanks to the train.

The three miserable souls beside him sank slowly in their seats, knowing the grim fate that awaited them.

*

He talked non-stop all the way to the station. I don't remember most of what he said…thank goodness…but pieces did stick in my memory. There was the long discourse on how boring the train ride really was, "I mean, all you have to look at is the scenery." But, he assured his victims, he could usually check email with his iPhone, so that made it a little better. So he could "get work done," instead of just "stare at rocks."

But, he continued, the train was a great way to commute. He got up at five in the morning, was at the train by six, and be in the office by seven. And then he'd catch the train home and be back by no later than nine. "It's great!"

He was on the way home early tonight because his daughter was having her birthday and he wanted to be there for it. She was, I gathered, six or seven. Usually he got home after she'd gone to bed, but today he was going to make an exception. "We're having a pony," he explained, "and a clown."

From there he was off on to the topic of child-rearing…on which, it seemed, he was a great authority. He'd seen some video on the subject, and read a book, and it was going to make everything just ducky for him while raising his daughter—the same one, that is, who was asleep when he left the house, and then was back in bed when he got home.

The theme of the book was that all human interactions are, in fact, based on commercial relations—business, in other words. So, "she doesn't get an allowance," he said proudly. "She gets commissions."

This, he explained, made all the difference. How so, it wasn't clear to me, but he assured his listeners that it did. And, besides, it would teach her to exist in a world in which nothing happens until someone sells something. Even better, "it eliminates all the tears." The girl would keep track of her commissions, and when they went to the toy store or where ever, she could buy only what she had enough commissions to purchase.

I listened. I wondered, Should I Warn Him? Should I, the father of a 25-year-old man (who knows the score) tell him what was coming? What will happen in ten years, when that girl would be sixteen, full of hormones, chasing boys, always on the phone, and telling her father exactly where he could stick his commissions?

I thought about it.

No. He'd never believe me.

In the words of the poet, there are some things that cannot be explained to virgins in either words or pictures.

*

Now, we begin our journey away from the light…


*

As I look at the material above, I realize I've been trying to be funny in this posting. At least a little. But, it hasn't felt quite right. It seemed forced.

Partly, of course, it was because of the lawyer—tall and blond, successful, every bit what this culture says a successful man should be. Or, woman, for that matter.

And, yet, in the end, he was sort of tragic. How little he understood of the world! How little it touched him. That great and magnificent world, with its mountains and desert, stretching off to infinity, and which he could have seen if only he'd looked.

And his child! I was joking—sort of—when I talked about what would happen when she was sixteen. But, it was perfectly true. Indeed, I understated the case. What will she think of this man, in ten years or twenty, when she looks back on him? The father who only appeared with a pony and a clown?

And what of him? What will he feel in forty years? When he is old? And he suddenly discovers that, by God, life is not like a corporation? That you cannot hold stock in it? Nor get a promotion by being in the office at seven? That, in the end, he who dies with the most toys, is still dead?

*

Ah, but there's the rub. We are taught this. We are taught to sacrifice all …everything in our lives!...if we "want to get ahead." It is unmanly to do otherwise. It is un-feminist to do otherwise ("you wouldn't say that if she were a man"). It is virtuous to be in the office at seven (or even six-thirty) and stay there deep into the night, your flesh growing pasty and pale under the fluorescents. Or minty green in the light of spread sheets and the powerpoints.


*


How much braver, stronger, wiser is the man or woman who defers their pleasures, their accomplishments, yes, even their fondest dreams. Who, once having the child, understands that this…the infant!...is their future, their destiny, their career. Who knows that the promotions will not come, the move to "the coast" and the corner office will be denied, because that is the nature of the bargain we have with life.

We are offered children, we are given the option of parenthood, and if we accept, then, well, the price is high. It is not happy. It is not easy. But it is the price.

The alternative is to be a stranger to your own children, and to court their justifiable hatred.

*

Let us then admit the greatness of the Small: the husbands, the wives, the stayers at homes, the worker-bees, the million-millions of men and women who are held in such thorough contempt by Hollywood and Manhattan and New England college towns.

And without whom the world would end in misery and dust.


*

Now… we move to the next part of my story. Less happy still.

*

The young professional wasn't the only reason for my sadness that day.

As we moved closer to my boyhood home, to Albuquerque, the delicate magic of the country, and the plastic wonder of the theme park known as Santa Fe, began to evaporate. The empty lots, the abandoned buildings, the dirty building, the long walls of concrete with the vast burden of gang graffiti and spray-painted obscenities…the features of a real city in this post-industrial age began to appear.

Then, we were back in the station at downtown Albuquerque. The declining light, which had seemed gentle and kind in the desert, was now merely dim. It played whitely over the concrete and the brick of the empty city, deserted on a Sunday evening.

Only the street people—and the police—were there.


*

We pulled into the station. We gathered up our jackets and purchases. The lawyer…thank heavens!...was gone.

We headed for the door. I led the way, for some reason. I don't remember why. Martha was behind me. My mother and father were behind her.

I came to the door of the train. There was a sort of bridge that led from the train to the platform. I crossed it, looking down just long enough to see that between the platform and train there was a deep gap. I could see a gravel surface below, the tracks, and the huge wheels of the train.

Martha joined me. Not thinking, we started ahead.

There was a woman's scream behind us.

My father had fallen.

*

I whirled and ran back. He was half on the bridge, one leg was over the side, down into the gap. A woman passenger and a conductor were holding on to him, desperately tight. The conductor pulled him up…finally…and I got to him.

He stood unsteadily in front of me. My mother was at his side, shaking.


*

He was embarrassed. He wouldn't stay. "Just lost my balance there." He led the way out of the crowd, thanking the woman and the conductor, and hurrying away from the scene.

*

How much pain he must have felt— the leg over the edge, the body on the bridge, straining to not to fall, the muscles contacting and tight.

He would not sit. He would not rest.

*

My father…

*

And that wasn't enough, was it? Not enough for fate and time. Not enough for a symbol. The universe wasn't finished with us.

*

We walked toward the station lobby. To get there, we had to take one route…the pathway that led from the station landing to the lobby building.

And as we turned the corner, we realized that there was a crowd of police and EMTs at the end of the path. In the street, we could see the blinking lights of emergency vehicles.

And they were kneeling and working on something on the ground.


*

We came closer. We had no choice. There was nowhere else to go.


*

It was one of the street people. He was on the ground. On the concrete. They were around him. The EMTS and the police. They circled him.

His flesh was dead white.


*

We went past him. We had no choice. There was nothing else to do.


*

We made our way past the police cars and the ambulance and the EMT truck. We made our way to the car where it was parked in the garage.

I drove us home.


*

We got to their house. We had dinner. It was my father's famous spaghetti. He's a very good cook. He served it cheerfully.

And, then, cheerfully, he asked us if we'd like dessert. Cheerfully, he brought out ice cream and cookies.

*

Then…

*

Then, the next morning, he cheerfully took me aside.

And cheerfully told me where all the family records were.

In case I should ever need them.

*

I didn't weep until later, in the guest room, with the door closed.

So no one would see or hear me.

*

Until next time.
























Copyright © 2009 Michael Jay Tucker

Salem 1

trust

snowman kit

The quotes in Question

Among the quotes in question:

1) "If the antiabortion movement took a tenth of the energy they put into noisy theatrics and devoted it to improving the lives of children who have been born into lives of poverty, violence, and neglect, they could make a world shine."


and

2) "...there is no poison on earth more potent, nor half so deadly, as apartial truth mixed with passion."

Quotes

Do a search for "quotes Michael Jay Tucker" and see what you get...

Me, Publishing, Self-pity, good stuff like that

Michael Mugs

I promise I'll stop soon...

a morning walk

A little experiment...in video

New Mexico #8: Fantasy

It's been awhile since I've written about the trip to New Mexico. It wasn't that I didn't want to come here and write. It's just that life has been…complicated…

But you know all about that, don’t you? All our lives are complicated in this curious age—this age in which we live on the run, this job to that, that place to this, and, in the end, we find that (somehow) we are like Alice's Queen. Moving very fast. Yet not moving at all.

So…


*

Last time, I talked about my growing sense of unease as we walked through Santa Fe. I was having memories of people and situations I'd found in that town but which were not particular pleasant.

Also, I was experiencing a certain sense of unreality, as though I were not really there at all, or else the city wasn't.

Actually, on reflection, I realized I had good reason for that. Parts of Santa Fe aren't real. They are as illusionary as the Matrix, and twice as tenacious.

Oh, don't get me wrong. Much of the city—almost all of the city!—is perfectly real. You don't have to walk far from the Square before you come to the real, living Santa Fe. A few meters, and you discover houses and condos, offices and schools, places where people live and work, and send their children to be educated. Admittedly, there are fewer such places than there used to be (with each passing year it becomes more expensive to live in Santa Fe. Property values soar and residents flee to the cheaper suburbs, or even to Albuquerque), but they exist all the same.

But, the Square, and the few blocks around it…they belong to visitors and those who sell to them. And, come let's face facts, that leads to a touch of the fantastic. We do not travel to distant places, nor pay inflated prices, for the joy of dealing with the same discomforts we meet at home. Unless we are an "adventure tourist" (and more about that in a moment), we charge up the Visa cards and suffer through the lines at airport security so that we may escape our lives. For our money, we want to be someplace where the sidewalks are clean, the meals come without our cooking them, the beds are made by magic…well, by maids, but it feels that way…and the help behind the counter is always smiling. In fact, it would be better if the help wasn't human at all. A large cartoon mouse in top hat and tails, his face frozen forever in an idiot's grin, would be best of all.

We pay, in other words, to inhabit an alternative reality, and at those prices, we damn well better get it.

Oh, and the Adventure Tourist? He, or she, inhabits the most unreal reality of all. She, or he, goes off into the wilderness on a pre-packaged thrill ride, dismissing as cowards those who might propose caution, and, then returns home with tails of a life changing experience…of terrors met…of confidence gained.

Except…

If the bungee cord should ever actually break, the bear actually elect to feast, the Iranian border guards really decide to fire…

They are so terribly, terribly offended.

*

And, understand, there is nothing wrong with this. There is nothing wrong with the falseness of tourist bubbles, in spite of the commandments of academics who tell us we should hate Disneyland (and by extension, fairy tales). People who say such things are those whose lives are sufficiently removed from daily struggle, tedium, and Quiet Desperation that they cannot understand the need for relief. They sit in their offices at Universities, grinding out turgid prose and unreadable books, failing always to understand that their comfortable, tenured lives are as fantastic and faintly ridiculous as a college kid in a Goofy suit, working his way through summer vacation.

But, that said, such places…like the Square at Santa Fe…will always have a whiff of the artificial, of unreality, of emptiness. At their best, they are like a thrill ride or an Imax movie. You buy your ticket, you lose yourself for a time, and then you walk away, relieved and exhilarated—but never believing that you have dealt with reality.

Or, at their worst, at their very worst, they leave you with the kind of vague disquiet you have sometimes in fever dreams, when you know you're dreaming, and that all you see is manufactured by Id and Unconscious, yet you do not choose to wake.


*


But…anyway.

We were going from the La Fonda, the hotel where we'd rejoined my parents, to a new restaurant my parents had discovered. My parents hunt restaurants the way that Teddy Roosevelt hunted lions and tigers and bears (oh my). They seek them out, somehow, noticing tracks in the hard soil, testing the air for the scent, and pursue.

And, amazingly, 99 times out of a 100, their discoveries are good. They always have at least three new trophies when we come to visit, the chefs' hats on mounted the wall, the leftovers stuffed and on display over the mantle.

That day, my parents were taking us to a new sandwich place they'd found. My father described it as half restaurant, half art gallery, and he led us out of the Square and up a side street. Soon, we found ourselves outside a smallish establishment with white adobe walls and blue wood trim. It could have been Greek, mysteriously transplanted by UFOs from Aegean shores. We entered. Inside the walls were decorated with various paintings from local artists. Some were good. Some were repellant. But, they were from Santa Fe. Therefore, by definition, they must be wonderful.

Under the paintings were the tables and the chairs. Men and women, and a few children, sat and talked and ate. A tall blond man materialized and asked what we wanted. My father said a table and give the total population of our party. A mere four. The tall man said it shouldn't be long. We stood in the little space before the cash register and waited while other customers came and went.

Martha and my mother fell into some conversation, I don't know about what. My father and I talked about … I believe we talked about physics. He is a physicist. A retired one but still active in the field. We were talking fusion power, and whether it were possible for the country to develop it, and if so at what cost.

And about the time I looked up and saw a woman come into the restaurant. She was, perhaps, in her late 30s or early 40s. Very stylish. Attractive. Well dressed. Large sunglasses. Short skirt. Peasant blouse. Large leather purse. She reeked, in other words, of money.

What sort of money? Who can say? Vice president of marketing on vacation money. Or real estate entrepreneur in New Mexico money. Or corporate lawyer between cases money. Or even, yes, affluent suburban wife from Connecticut money (no. Really. A few still exist. Even in this day of dual incomes and fast-track careers).

But, in any case, money. And she came into the restaurant, glanced at us, swept past, and went to the counter where the tall man stood guard. She spoke to him. I couldn't hear what she said over the sound of the crowd, nor what he replied, but there was some tension in the air. His hands came up as if to communicate something, or defend himself from a blow. Hers remained by her side, hands tight around the strap of her leather purse. Then, somehow, something was resolved. I half-heard, half read the woman's lips well enough to detect "then take-out." The man's face softened in relief. He hurried away toward the kitchen.

She paused for a moment by the counter, then drifted back to where the rest of us stood waiting for our tables. She looked at me. She looked at my father.

Always friendly, always open, he smiled and said, "Hello."

She frowned. She mumbled "'Lo." He was not important. He was old and probably senile and didn't know to speak only when spoken to. She glanced away. She stood, still in her sunglasses in the restaurant's shadowy interior, and looked out into the street.

My father eyed her. He began to smile more broadly. I knew what was coming. It wasn't going to be pretty. But, I thought, she'd brought it on herself.

*

"So," he said to her, smiling, eyes twinkling, as merry as Santa Claus on the day before noel, "isn't it a lovely day?"

She looked at him, half in surprise, half in distaste. Had he really spoken to her? Had this strange, miserable creature actually addressed her?

"I mean," he continued, still cheery, "the light, and everything. But not too hot."

She looked him up and down. I knew what she saw. He is a small man, now (how did that happen? I remember him being so tall). His hair is white, long, and wild, seeking new discoveries around his ears, his forehead, the back of his neck, uncontrolled and vastly energetic, if somewhat thinner than it once was. And he has a beard now. Also white. Pointed. Not quite a goatee, but not quite anything else either. In one light it makes him look a little like Colonel Sanders. Ah, but in another, like Mephistopheles.

Her cosmetic tinted lenses flicked up to his face. You could see her logic as clearly as if her head were made of glass. "If I say nothing," she thought, "will he go away?"

But he didn't. I knew that light in his eyes. The eyes so cheery. So merry. So mild. So…inexplicably bright and hard.

"Well," he continued, "where are you from? We're from Albuquerque. My son and his wife"—indicating me—"they came all the way from Boston."

Even through her sunglasses, you could see the discomfort. "I…ah…I'm from California."

"Really? Where-abouts? North or south?"

The cosmetic lenses panned down, like a camera trying for a Dutch Angle. I knew what she was seeing then, too. His clothing. He affects satiny sports jackets, unzipped to reveal the white t-shirt. His pants? Inevitably jeans or khakis, just a size or two off, just a decade or so out of fashion. Athletic shoes, beaten soft from long use.

"Um…south. Las Angeles."

"Ah," beaming like a street light on a winter night, "we have relatives in Las Angeles. Maybe you know them…" He named one of my uncles.

The woman took a step back, a slight tremor shaking her body.

"No, wait," he continued. "Johnny's been dead for about two years ago now. I keep forgetting that. And, besides, he moved to Reno in '79. Have you ever been to Reno?"

Even through her sunglasses, you could see the panic in her eyes.

"Well, doesn't matter. You're from L.A.? We used to drive there…when he was little" —he indicated me. "That was a lot of fun." He turned to me again. "Remember that time we went in 1968? We where in that green van." He looked at her again, explaining. "No insulation in it. You ever try to drive across Arizona in the middle of summer without air conditioning? Yes siree! It was soooo hot…"

Her back was now literally against the wall. She held her purse tightly in front of her, like a shield. You could see her fingers digging into the leather.

"And we got to the border with California. They stopped us at the state line. Do they still do that? They used to check your car to make certain you didn't have fruits or vegetables that might bring in plant diseases. Anyway, I can always remember, the guard looking into our van, me in my t-shirt, my wife in shorts, and him"—me—"not looking much better."

She swallowed. Her teeth were clinched.

"And we hadn't had a bath for a while. I mean, we were camping, so how could we?"

Little drops of sweat were forming on her forehead.

"And the guard looked into the van and said, 'Oh, my God.' We must have looked awfu—…"

The tall blond man appeared with a take-out bag. The woman dashed past my father with her credit card already out. A moment after that, she was running toward the door.

"Have a nice day," my father said, as she went. "Great talking to you."

The door closed behind her with a bang.

My father smiled once more.

*

And lunch was quite good actually. We ate with a healthy appetite.

Then, we went to a couple more galleries. And, after that, it was time to head for the train, and home.

What we did not know was what would be waiting for us at the station.

But that's for next time.

*

Onward and upward.


















Copyright © 2009 Michael Jay Tucker

I confess

Yes, I confess it. I have been dreadfully remiss about my blog. Xcargo has not seen me for 'lo these many weeks.

Forgive me? My only excuse is that I've been teaching three classes and I'm a bit overwhelmed by the grading. But, I promise, I'll return with yet more of Santa Fe.

That said, here's a little something to keep us going.

Have you noticed? All the clamor and fear about health care continues unabated …but, most mysteriously, the stories of men and women coming to town meetings with guns have gone away. Oh, yes, there's still yelling and screaming, but not guns, and not the more or less overt threats of violence.

It's almost as if someone flipped a switch. As if someone, somewhere, realized that this tactic was actually having negative effects… that it was frightening people.

Which makes one wonder, does it not? If someone could turn it off that way, then doesn't that mean someone turned it on in the first place? That someone, somewhere, created the whole thing… for their own selfish purposes…with lies and deceit.

Which, in turn, makes one wonder just exactly what they will do next.

And how dreadful it will be…